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Interesting nugget: She has “started casting around a little net” in her mind for the next musical project.Įnjoying this newsletter? Consider subscribing to the Los Angeles Times Mitchell also talks to Lee what about lies ahead. It was like a train that kept rolling - and here we are, back in L.A.” The Times’ Ashley Lee profiles Anaïs Mitchell, its creator, about the musical’s extraordinary journey: “We had 14 people and a dog in a 15-passenger van,” recalled Mitchell of the show’s early tour.
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A fan of Feldstein’s, McNulty writes that she is “most convincing as a Long Island matriarch who wants everything to run according to her plan.” But she has yet to make the role her own.īack in Los Angeles, McNulty checked out the Tony-nominated “Hadestown,” which has landed at the Ahmanson Theatre in “smoldering fashion.” Inspired by the legend of Orpheus and Eurydice, he says the production “is crowded with vibrant musical performers.”įor L.A., the show represents a comeback - since “Hadestown” was born and first performed here. The revival features a retool of the original’s “sluggish” book by Harvey Fierstein. “For much of this triumphant, emotionally lacerating show, which had its official opening Tuesday at the Lyceum Theatre,” writes McNulty, “I sat with my mouth agape, astonished and grateful that something so brutally honest and rigorously constructed had finally broken through to a Broadway stage.Īlso on Broadway is a revival of “Funny Girl” - the musical that catapulted Barbra Streisand to fame - with Beanie Feldstein in the role of Fanny Brice. Jackson’s Pulitzer Prize-winning musical, “A Strange Loop,” which tells the story of an aspiring writer named Usher (played by Jaquel Spivey), who dreams of penning a hit musical about “a Black, gay man who’s writing a musical about a Black, gay man” but is faced with the reality of taking day jobs to make ends meet. In New York City, he took in a performance of Michael R. On the stageĪfter a couple of years of pandemic-induced quiet, Times theater critic Charles McNulty is hot on the trail of everything that is new in theater - on two coasts, no less! Huntsman Architectural Group did the interior design, including the wellness center ( see the images online) - and the aesthetic definitely feels very microdosing-room-for-tech-bros.